Koji Log is designed to work with a wide variety of log formats, including REDlogFilm, Arri Log C, BMDFilm, BMPC4KFilm, Sony SLog3, Canon C-Log, and Cineon. Koji Log also includes Koji DSLR, for full support of Rec.709 and sRGB video.
Fast, powerful film color for log footage. Designed to work natively with REDlogFilm, Arri Log C, BMDFilm, BMDFilmV2, Canon C-Log, and Sony SLog3. For Davinci Resolve, Final Cut Pro X, Adobe Premiere Pro, Adobe After Effects, Adobe Speedgrade, and Autodesk Smoke. Also includes Koji DSLR.
Koji Log takes care of the Rec.709 conversion for you. You can simply apply Koji, refine your creative grade, and you are done. There is no need to figure out how to convert from your log format to Rec.709.
If you would prefer to perform your own conversion to Rec.709, Koji Log also allows you to output in Log. This allows you to perform your own grading in log space, if this is desirable.
Koji is a set of standard .cube and .3dl LUT files than can be easily applied to your footage. Simply choose a Koji film stock, apply it to your clip, and then use the color correction tools inside your editing or color application to refine and perfect your creative grade.
Koji is designed to be a starting point for your own creative grade. Just like physical 35mm print stocks, Koji digital print stocks are a medium, not a finished “look”. Once you have applied Koji, you will find that making subtle adjustments to the exposure and color will allow you to craft your own look very quickly.
RED Dragon Rec.709
Koji includes six 35mm motion picture film stocks. Each started out as physical print stock which was then carefully developed and checked for accuracy. The color response of the stock was then measured extremely accurately, using specialized equipment and processes developed for the digital intermediate workflow. This information was then translated into .cube and .3dl LUT format.